{"id":13682,"date":"2022-06-17T15:29:02","date_gmt":"2022-06-17T13:29:02","guid":{"rendered":"https:\/\/www.zgjm.sk\/?page_id=13682"},"modified":"2022-06-17T15:36:57","modified_gmt":"2022-06-17T13:36:57","slug":"anabiosis","status":"publish","type":"page","link":"https:\/\/www.zgjm.sk\/en\/exhibitions\/archive-of-exhibitions\/2022-2\/anabiosis\/","title":{"rendered":"ANABIOSIS"},"content":{"rendered":"\t\t
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ANABIOSIS<\/h1>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Exhibition: <\/strong>ANABIOSIS
Exhibiting artist: <\/strong>Petra Nov\u00e1kov\u00e1 Ondrei\u010dkov\u00e1
Venue:<\/strong> Zahorie Gallery of Jan Mudroch in Senica
Curator: <\/strong>Beata Jablonsk\u00e1
Opening: 17 June 2022 (Friday) at 5.00 pm<\/strong>
Exhibition running: <\/strong>17 June (Friday) \u2013 10 August 2022 (Wednesday)<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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About exhibition<\/h4>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Anabiosis is a change in the behaviour of organisms due to adverse living conditions. Anticipating that they will be unable to cope with extreme drought or cold, they induce a state of apparent death. When the danger is over, their original vital functions are restored and their life can continue to flow. Petra Nov\u00e1kov\u00e1 Ondrei\u010dkov\u00e1 is interested in similar phenomena in which hidden life forms survive in camouflaged variations and she perceives them as an analogy to human behaviour in exemplar or, conversely, rare situations. She focuses on thinking and thoughts accompanied by questions of the forms and shapes in which they can survive in times of inactivity. After all, they are an accompanying phenomenon of the creative process and in the author\u2019s imagination they act as an organism in the biotope of the artist\u2019s head. On the timeline of her work so far, we go through various models of macro and micro-worlds of habitats \u2013 from the personal, following her emerging identity, to the current, reflective spaces and places hidden from the snapshot culture. She creates them from wall and spatial objects, whose intricate layered organic structure significantly spreads over the host space. Her creative material is primarily paper and its endless possibilities and overlaps \u2013 from collage, object, ready-made, to installation or sizeable spatial architecture. Many of her exhibited projects have already undergone \u201cauto recycling\u201d several times: she enters older works and creates new ones from them. She is convinced that the work, after display and storage, becomes a\u00a0stored, dead thing that can only survive in a new transformation. She obsessively searches and experiments, and is particularly satisfied with those techniques, which, she says, exceed the dimension of their qualities. She likes overlaps and the intertwining of media and techniques. In her rendering, a drawing, a collage, or a three-dimensional object tends to find itself in a position that changes its common perception. Although her collage is three-dimensional, it is not an assemblage! She draws with a knife and creates spatial images that can be a drawing, but also a three-dimensional object and, last but not least, in its complexity, also an installation. She stages situations and places in all assumed and suspected layers, close relationships or, conversely, in collisions and ruptures.<\/p>

Petra Nov\u00e1kov\u00e1 Ondrei\u010dkov\u00e1 does not often exhibit her works and carefully chooses only those places of her temporary activity that can create a\u00a0complete organism of her work with the architecture of the space. It is probable that her anabiotic organism exhibited in the Zahorie Gallery of Jan Mudroch in Senica comes to life in a new vital form, modelled primarily by the artist herself and the genius loci.<\/p>

Beata Jablonsk\u00e1<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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