{"id":20525,"date":"2024-01-26T14:33:59","date_gmt":"2024-01-26T13:33:59","guid":{"rendered":"https:\/\/www.zgjm.sk\/?page_id=20525"},"modified":"2024-01-26T14:48:53","modified_gmt":"2024-01-26T13:48:53","slug":"lenka-l-lukacovicova-klaudia-korbelic-hotel-oaza","status":"publish","type":"page","link":"https:\/\/www.zgjm.sk\/en\/exhibitions\/archive-of-exhibitions\/2024-2\/lenka-l-lukacovicova-klaudia-korbelic-hotel-oaza\/","title":{"rendered":"Lenka L. Luka\u010dovi\u010dov\u00e1, Klaudia Korbeli\u010d: Hotel O\u00c1ZA"},"content":{"rendered":"\t\t
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Lenka L. Luka\u010dovi\u010dov\u00e1, Klaudia Korbeli\u010d: \nHotel O\u00c1ZA<\/h1>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Joint exhibition of two young visual artists.<\/strong><\/p>

Authors:<\/strong> Lenka L. Luka\u010dovi\u010dov\u00e1, Klaudia Korbeli\u010d
Exhibition Title: <\/strong>Hotel O\u00c1ZA
Venue<\/strong>: Foyer of Z\u00e1horie Gallery of J\u00e1n Mudroch in Senica, Sadov\u00e1 619\/3
Exhibition opened by<\/strong>: <\/strong>Roman Popel\u00e1r
Exhibition Opening<\/strong>: January 26 (Friday), 2024 at 17:00
Exhibition Duration:<\/strong> January 26 (Friday), 2024 \u2013 March 17 (Sunday), 2024<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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About exhibition<\/h4>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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The exhibition is a joint project of sculptor Klaudia Korbeli\u010d and photographer Lenka L. Luka\u010dovi\u010dov\u00e1, whose works have recently been presented at international art exhibitions such as Artrooms Moravany in Moravanoch nad V\u00e1hom, Station Contemporary Art Gallery in Bratislava, the art center Pragovka in Prague, and the contemporary art festival DOM in Bratislava. The essence of their collaboration, building on the TORZO Z\u00c1LESIE exhibition (2022, curated by Omar Mirza), is to reflect on themes related to the environment and the relationship between humans and nature. Their intentionally unfinished objects refer to the ancient era when figurative artworks were preserved in the form of fragments (e.g., without heads or limbs). However, these torsos also describe what will remain of our world after the looming threat of climate apocalypse becomes more palpable.<\/p>

\u00a0The mini-exhibition will feature several objects simulating Triffids. Triffids are a fictional carnivorous plant species of monstrous proportions described by John Wyndham in the post-apocalyptic novel “The Day of the Triffids” from 1951. In creating these, both artists utilize recycled materials, even recycling some of their own works. The result is procedural objects\u2014fictional plants that have emerged through this recycling, thereby relativizing the passage of time.

(Adapted from Omar Mirza’s text)<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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