{"id":29990,"date":"2026-06-08T12:09:45","date_gmt":"2026-06-08T10:09:45","guid":{"rendered":"https:\/\/www.zgjm.sk\/?page_id=29990"},"modified":"2026-06-08T12:17:59","modified_gmt":"2026-06-08T10:17:59","slug":"kristina-rambousek-later-layers","status":"publish","type":"page","link":"https:\/\/www.zgjm.sk\/en\/exhibitions\/archive-of-exhibitions\/2026-2\/kristina-rambousek-later-layers\/","title":{"rendered":"Krist\u00edna Rambousek: Later Layers"},"content":{"rendered":"\t\t
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Krist\u00edna Rambousek: Later Layers<\/h1>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Artist, exhibition title<\/strong>: <\/strong>Krist\u00edna Rambousek: Later Layers
<\/strong>Venue:<\/strong>\u00a0<\/strong>Z\u00e1horie Gallery of J\u00e1n Mudroch in Senica, Sadov\u00e1 619\/3
Curator: <\/strong>Vikt\u00f3ria Pardovi\u010dov\u00e1
<\/strong>Opening<\/strong>: <\/strong>May 29, 2026 (Friday) at 5:00 PM<\/strong>
<\/strong>Musical guest at the opening<\/strong>: <\/strong>Barbora Tom\u00e1\u0161kov\u00e1
<\/strong>Duration of the exhibition<\/strong>: <\/strong>May 29 (Friday) \u2013 July 12, 2026 (Sunday)<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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About the exhibition<\/h4>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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The exhibition Later Layers builds upon Krist\u00edna Rambousek\u2019s earlier works, in which she explored the water cycle, the properties of rocks and minerals through their microparticles and sediments, as well as the symbolism of plant communities and human corporeality. The harmony between original ecosystems and humankind \u2014 increasingly implicated in the process of their destruction \u2014 which has long formed the backdrop of the artist\u2019s painterly approach, shifts in her new works toward a state of re-evaluation. She reflects on the layers that, over the years, become part of the soil as the foundation for further life, and which in recent periods shaped by anthropocentrism have become continuously more toxic. These may represent layers of worlds or realities that, in their physical form, gradually turn into smoldering fragments of waste and ruins generated by a consumption-oriented social system, while simultaneously shaping the memory and bodies of future organisms and beings. With references to post-humanist approaches, we become uncertain co-participants in observing archives of sediments of decay \u2014 collected products of animal or plant origin, or particles of colored pigments contained within the large-scale watercolors. Together, they formulate the environment of a new spacetime that calls for a reassessment of the distorted hierarchy and human-defined approaches toward more-than-human beings and landscapes, while acknowledging the necessity of interspecies cooperation and coexistence.<\/p>

Vikt\u00f3ria Pardovi\u010dov\u00e1<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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